In 'Notes on the Cinematograph', legendary filmmaker Robert Bresson presents a captivating contemplation on the art of cinema. He delves into the essence of film and its power to evoke deep emotions, arguing that true cinematic beauty lies in simplicity and authenticity. Bresson shares his unique philosophy on directing actors and crafting narratives, emphasizing the significance of silence and restraint. This book is both a manifesto and a meditation, inviting readers to rethink how films affect us on a profound level. With Bresson's insightful reflections, prepare to be inspired to view cinema not just as entertainment, but as a powerful medium of expression.
By Robert Bresson
Published: 2016
""The cinematograph is a means of expressing life without being bound by the words; it is through the image that truth reveals itself, silent yet powerful.""
The French film director Robert Bresson was one of the great artists of the twentieth century and among the most radical, original, and radiant stylists of any time. He worked with nonprofessional actors—models, as he called them—and deployed a starkly limited but hypnotic array of sounds and images to produce such classic works as A Man Escaped, Pickpocket, Diary of a Country Priest, and Lancelot of the Lake. From the beginning to the end of his career, Bresson dedicated himself to making movies in which nothing is superfluous and everything is always at stake. Notes on the Cinematograph distills the essence of Bresson’s theory and practice as a filmmaker and artist. He discusses the fundamental differences between theater and film; parses the deep grammar of silence, music, and noise; and affirms the mysterious power of the image to unlock the human soul. This book, indispensable for admirers of this great director and for students of the cinema, will also prove an inspiration, much like Rilke’s Letters to a Young Poet, for anyone who responds to the claims of the imagination at its most searching and rigorous.
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“"The cinematograph is a means of expressing life without being bound by the words; it is through the image that truth reveals itself, silent yet powerful."”
Notes on the Cinematograph
By Robert Bresson
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Robert Bresson (1901-1999) was a renowned French film director and screenwriter, celebrated for his unique approach to filmmaking that emphasized simplicity and a deep sense of spiritual exploration. Bresson is widely regarded for his thought-provoking narratives and minimalist style, often employing non-professional actors to convey his characters' inner struggles and existential themes. His notable works include "Pickpocket" (1959), a study of morality and redemption, and "Au Hasard Balthazar" (1966), a poignant tale of suffering and compassion, which showcases his ability to blend profound themes with cinematic artistry. Bresson's films are characterized by their meticulous attention to detail, innovative use of sound, and a distinctive visual aesthetic, allowing audiences to engage with profound philosophical questions.
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