In 'Aim for a Job in Graphic Design/Art,' S. Neil Fujita takes readers on a creative journey, sharing insider tips and industry insights that are crucial for aspiring graphic designers. This book explores the dynamic fusion of art and technology, revealing how to harness creativity in a professional setting. Through engaging anecdotes and practical advice, Fujita demystifies the job hunt process, offering strategies to stand out in a competitive field. With a focus on portfolio development and networking, readers learn how to effectively showcase their skills. Whether you're a novice or looking to advance your career, this guide ignites passion and ambition in the world of graphic design.
By S. Neil Fujita
Published: 1968
"Design is not just what it looks like and feels like. Design is how it works."
Defines graphic design and where and how it may be used. Also includes details on the necessary aptitudes for the work, suggestions for training, how to look for a job and biographies of some important people in the field.
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“Design is not just what it looks like and feels like. Design is how it works.”
Aim for a Job in Graphic Design/art
By S. Neil Fujita
Discover a world of knowledge through our extensive collection of book summaries.
S. Neil Fujita was a celebrated American author and illustrator known for his unique contributions to the world of literature and graphic arts. Born in 1928, Fujita is most renowned for his work on book covers and illustrations, particularly during the 1950s and 1960s, where his distinctive style helped define the visual identity of several classic novels. Notable works include his covers for bestselling titles such as 'Catch-22' by Joseph Heller and 'Slaughterhouse-Five' by Kurt Vonnegut. Fujita's writing often blends themes of cultural identity and personal experiences, infused with his background as a Japanese-American artist. His artistic approach combines vivid imagery with a strong sense of narrative, making his works both visually appealing and intellectually engaging. Fujita's legacy continues to influence both writers and illustrators today.
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